On first sight of the knight, the choir intonates: "Ich fühl’ das Herz mir vergehn, schau’ ich den wonnevollen Mann." Nie Sollst Du Mich Befragen: B1: Treulich Geführt: B2: Das Süße Lied Verhallt: B3: In Fernem Land: B4: Mein Lieber Schwan (Finale) Credits Baritone Vocals – Hans Braun; Bass Vocals ... Lohengrin … Kevin Clarke: Siegfried Wagner's homosexuality and its influences on Wagner performance history and the Bayreuth Festival, Peter Konwitschny: I do not consider myself a representative of the Regietheater, Alexander Meier-Dörzenbach: Since we will be working with string puppets, it is rather difficult to state what kind of "person" Lohengrin is, Alexander Meier-Dörzenbach: There is so much more than mere sentimentality to this great opera, Detlef Roth: Amfortas' Suffering is Germany's, Kasper Holten: Tannhäuser's Rome narrative is perhaps all fictionâbut it is his best story ever, Lisbeth Balslev: You come to Bayreuth for the sake of art, Iréne mußt Eines du geloben mir: - Nie sollst du mich befragen, noch Wissens Sorge tragen, woher ich kam der Fahrt, noch wie mein Nam' und Art! They take everything personally. In the bedchamber scene in the third act, however, we witness how Elsa longs for names and classifications, while Lohengrin symbolically raves about the enchanting perfume of flowers in the dark night. The motive of The Grail, Lohengrin, and Glory are heard from the orchestra with breadth and emphasis; and now that he has departed, the Lohengrin motiv is sorrowfully repeated in the minor. Since we will be working with string puppets, it is rather difficult to clearly state in a few words, what kind of "person" Lohengrin is. Nie sollst du mich befragen Diese Worte spricht in Richard Wagners (1813-1873) Oper »Lohengrin« der Titelheld Lohengrin zu Elsa von Brabant ( I , 3). Ortrude invented that story of Elsa’s crime in the forest ; she made him reject the heiress of Brabant ; she pretended that, as the last of the Radbod line, she had a claim to the throne of Brabant ! The curtain rises on the banks of the Scheldt, near Antwerp, which winds through the landscape. Quality: Tickets Heute Reduziert, Sichern Sie Ihre Sitzplätze, Deutschland Tickets 202 Nie sollst du mich befragen, noch Wissens Sorge tragen, woher ich kam der Fahrt, noch wie mein Nam' und Art.Den Versammelten … To his great distress, Godfrey disappeared mysteriously when walking one day with his sister; he was so shocked at the murder Elsa must have committed, that he rejected her hand and married Ortrude. It begins on high notes of the violins in eight-part harmony, and the four solo violins are used in such combination with the first, second, and third flutes and the first and second oboes as to produce enchanting harmony. He is one of the Knights of the Grail; his father, Parsifal, is their first priest-king ; his own name is Lohengrin. And finally: Will we see a Ring production from the Herheim team during the 200 years’ anniversary in 2013? Euch, Volk und Edlen, mach' ich kund. Meant Something in those Conditions, Daniel Slater: Lohengrin: Act One - Nie sollst du mich befragen. Telramund joins them, and craftily details his new scheme for a combat. No one answers. Lohengrin, Act I Scene 3: Nun hort! 3:46 Listen Now Buy: £0.99 14. His words increase Elsa’s curiosity. Opposite are Frederick von Telramund, a Brabançon count (baritone), and Ortrude, his wife (mezzo-soprano), with the people of Brabant. Some thoughts on the Herheim Lohengrin in Berlin, Stefan Herheim's production of Parsifal at Bayreuth 2008, Isolde is incredibly intense, and that really suits me. King Henry asks the reason of the trouble, and Elsa begs Lohengrin to protect her from Ortrude. Darkness prevents her from seeing the baleful figures on the steps. Theorin: Isolde is incredibly intense, and that really suits me, Anne Are there any particular productions of Lohengrin that you find interesting? To Henry’s questions she makes no reply, but gestures show her resignation, and she softly speaks of her “dear brother.” Her manner excites general curiosity, and when the King asks for an explanation, Elsa, in a trance-like state, speaks of a certain day, when, in her sorrow, she offered a prayer. Nie sollst du mich befragen, noch Wissens Sorge tragen, The organ peals from the church, the people sing praises to the bridal pair and enter the portals, and Elsa, frightened by Ortrude’s menacing glance, presses closer to her Knight for protection. It was the year after Wieland Wagner had died; to be able to see his productions was a total knock-out. Richard Wagner - Lohengrin 1. The curtain rises upon the inner court of the Palace at Antwerp. The frightened Elsa follows, and The Mystery of the Name from the orchestra, gloomy and sad, joined to The Doubt and followed by the motiv of Elsa, reminds us of all that has happened. 30. The creation of the self through love and death, Sharon Grafen, Edle, Freie von Brabant). Ortrude suddenly appears. The King presents the bride to her husband, Elsa’s women remove her long mantle ; and pages, Lohengrin’s cloak. His ardent, passionate and somewhat naive belief in authoritarian guidance is of central interest to our starting point. Elsa assures him that she has perfect confidence in him. Nie sollst du mich befragen. Nachdem Lohengrin ursprünglich allen und insbesondere der von ihm geretteten und geehelichten Elsa von Brabant verboten hatte, ihn nach Namen und Herkunft zu fragen („Nie sollst du mich befragen, noch Wissens Sorge tragen, woher ich kam der Fahrt, noch wie mein Nam’ und Art!“), ließ Elsa sich gleichwohl zu dieser Frage hinreißen. The belief in a higher order, in spiritual guidance is evident, but we have translated that into a theatrical mode – marionettes. Beneath a large oak sits Henry the Fowler, the Emperor of Germany (bass), surrounded by his Saxon knights. Photo: Karl Forster / Staatsoper Berlin, Stefan Herheim rehearsing. Lohengrin pretends not to hear her, and leads her to the window to enjoy the sweetness of the night. (Keith Warner, The Guardian), "I have never come across an audience with so much hatred, so much anger, such a thirst for revenge. Elsa kneels in prayer (” Du trugest zu ihm meine Klage “). (Patrick Carnegy to The Guardian). Thus they seal their pact. Who is this Knight ? Do I believe in the auratic magic of Lohengrin? She had seen him in a dream before he came to her ; he was led by Love to her side. The Grail is with it. Telramund’s life is spared by Lohengrin, who receives the happy Elsa. A martial procession hails the entrance of King Henry, who thanks the Brabançon nobles for their expressions of loyalty. In it stands a knight in silver armour. Taking Lohengrin as the "seltsam Wunder", the ”unerhörtes, nie geseh’nes Wunder”, questions of creation and perception of art arise and we will definitely plant those questions onto the field of artistic reference in Germany’s capital. The latter hails his victory in an enthusiastic phrase, ” O find’ ich Jubelweisen,” taken up by the’ chorus and developed with the motiv of Glory. In astonishment, they see a bier advancing; it is the body of Telramund. Stefan Herheim rehearsing Lohengrin at Staatsoper Berlin. He asks Elsa to name her champion. Akt, 3. He embraces Elsa, and, proclaiming her innocence, places her under the King’s protection. Roused from her ecstasy, Elsa throws herself at his feet, replying that she has already done so ; then he asks if she will become his wife after he has proved her innocence. Lohengrin: "Elsa, soll ich dein Gatte heißen, soll Land und Leut' ich schirmen dir, soll nichts mich wieder von dir reißen, mußt eines du geloben mir: Nie sollst du mich befragen, noch Wissens Sorge tragen, woher ich kam der Fahrt, noch wie mein Nam' und Art!" In order to talk more intimately to her, Elsa leaves the balcony. The idea of slavish obedience without asking any questions is still a very hot topic within the arts. Must he go ? The only one to whom he will make answer is Elsa ; if she asks it, he will reveal his origin ! Text is taken from Act I, Scene 3 of Richard Wagner’s opera “Lohengrin”, first performed at Weimar in 1850. Day breaks. The men’s quarters in the Palace at the back, with the lighted windows ; to the left, the women’s quarters, with a balcony; also the porch of the cathedral; further back, the town-gate. She puts the question boldly now, and The Mystery of the Name bursts from the orchestra. Eleven bars later a second motiv, also associated with Ortrude, The Doubt, appears on the violoncello and the bassoon. She will reward him with her hand, and share her crown with him ! Eugen Jochum – Lohengrin (Wagner) ... A4 Nie Sollst Du Mich Befragen. At this moment a boat comes down the river drawn by a swan. “LOHENGRIN”, also called the tale of the “Swan Knight”, is one of the most famous operas by Richard Wagner and which abounds with worldwide popular works such as “Nie sollst Du mich befragen” (“Never ask me”) or “Treulich geführt (“Here comes the bride”) among others. Elsa! by Rudolf Schock. Euch, Volk und Edlen, mach' ich kund She sings a melody expressive of her happiness (” Euch Luften, die mein Klagen “). Wagner: Lohengrin. Immediately the trumpets announce with great majesty and splendour the motive Lohengrin and Glory. Still, it is not too late, for if Telramund will permit her to do so, she will use her occult power ! How much sense do we allow ourselves to be deduced from sensuality? Lohengrin, WWV 75, Act I: Nie sollst du mich befragen. Polyak on West-Eastern Divan Orchestra, Wagner in Israel, Bayreuth, Stefan Herheim on Daniele Gatti, tempi and staging of preludes, Herheim on Parsifal: The Theatre is my Temple, ⢠Stefan Herheim interview about Parsifal: "The Theatre is my Temple", ⢠Stefan Herheim on working with Daniele Gatti, the choice of tempi and the staging of preludes, ⢠An honour to take part - Stefan Herheim on working at the Bayreuth Festival, Tristan und Isolde conductors at Bayreuth, One of the finest monuments in sound ever to have been raised to the everlasting glory of music. Lohengrin: Act One - Nun hört ! Starting with Adolf Stahrs 1851 criticism of Lohengrin as a cold soldier from heaven, who strictly obeys divine orders, the figure of the knight in shining armour has been a means of identification for the Emperor Wilhelm I as well as Adolf Hitler and is thus interwoven with German history. He makes a prophecy. Ortrude wonders why Telramund did not use such magnificent scorn as this upon the knight; he might have been vanquished ! Hast du mich wohl vernommen? Why does he not reveal his origin, his home, his country ? This clashing of cultures – spiritual existence and human being, but also man and woman – is at the oscillating center of the work. Lohengrin: Act One - Nun hört ! LOHENGRIN gesteigert, sehr ernst. (Claude Debussy on Parsifal), "The thing about Wagner is that there can be no true success in any production of his operas, only degrees of failure. To his words, “Leb’ wohl, Leb’ wohl, mein lieber Schwan,” the Harmony of the Swan is given out by the two oboes, clarinet, and cor anglais. Photo: Karl Forster / Staatsoper Berlin. With music streaming on Deezer you can discover more than 56 million tracks, create your own playlists, … © Per-Erik Skramstad - Wagneropera.net. The judgment of God reminds us of the combat and of eternal justice; a bell tolls, and, as Lohengrin announces to the astonished people that he will reveal his origin before the King, for Elsa has desired it, The Mystery of the Name is heard again, followed by The Grail. … Lohengrin leads her to the couch on the right, and they sing their duet, Das Süsse Lied verhallt. Find album reviews, stream songs, credits and award information for Wagner: Lohengrin - Otto Klemperer on AllMusic ... "Nie sollst du mich befragen" Richard Wagner. However, the historical-political dimension of time is not really the most fascinating and actual focus. If you don’t know his name, you cannot summon him and you avoid the risk of his being hijacked, let’s say by politics. During our long preparatory work for a production we listen to very different recordings while we read the score. "Hell,König Heinrich-Nie sollst du mich befragen" 1.Aufzug "Was er verbirgt,wohl brächt'es ihm Gefahren" 1.Aufzug "Du Armste Kannst wohl nie ermessen" 2.Aufzug. He bids his Swan an affectionate farewell (” Nun set bedankt, mein lieber Schwan “). Stefan Herheim om samarbeidet med Gatti etc. How do you handle the problematic of redemption or religious transfiguration in Lohengrin? "Nie sollst du mich befragen", fordert Lohengrin von seiner Schutzbefohlenen, für die er nicht nur im Zweikampf siegt, sondern an deren Seite er sich als Schützer von Brabant engagieren will. already reeked of tragedy. Lohengrin tells her she need not fear; his home is one of grandeur; his rank more exalted than the King’s; but he still is unwilling to satisfy her. Ortrude offers a prayer to her pagan gods, Wotan and Freïa ; but when Elsa re-enters, she again becomes humble. We also hear for the first time a motiv that belongs to Lohengrin, Glory. Having studied cello, before directing, Stefan is a prime musician with perfect hearing, while I studied German and American literature as well as art history. Gut, das scheint auf den ersten Blick nicht viel mit Verkaufen zu tun zu haben. 02:54 He must have grave reasons for keeping this secret, if he forbids his bride to demand it ! Berlin, however, is a city with three opera houses which vigorously and clamorously claim to be of prime importance, but the discussions have shifted long ago into institutional bureaucracy and money while the communication of art disappears. 3:23 Listen Now Buy: £0.99 In MP3 Basket View MP3 Basket 13. Lohengrin, WWV 75, Act I: Nun hört! Then, too, they might accuse the hero of sorcery ; he would have to reveal himself ! Alexander Meier-Dörzenbach is the dramaturg in Stefan Herheim's team - now rehearsing a new production of Lohengrin at Staatsoper unter den Linden in Berlin (premiere 4 April). Nie, Herr, soll mir die Frage kommen! The King welcomes him cordially, but the Knight courteously regrets that he cannot lead his army ; he has come to justify his slaying of Telramund ; and reveals the plot of the latter.
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